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vintagegal: Cover illustration for Kiss or Kill by John B. Thompson, 1961
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from The Widow’s Broom by Chris Van Allsburg
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<3
RIP Maurice Sendak: NPR on Sendak’s Legacy
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I’d say the greatest success that I’ve had in my life is that I never have to be around assholes anymore; that’s better than rich. And rich just means you can just afford any book you want without looking at the price. That, to me, is rich.
— John Waters
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A Gorey zombie! Golden…
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Immoral Lady by Russell Gage (1963). Cover Artist: Paul Rader
And maybe I’m realizing what a part of it I am, because suddenly we’re not crashing as much as we’re combining. The chords swirling around us are becoming a tornado, tightening and tightening and tightening, and we are at the center of it, and we are at the center of each other. My wrist touches hers right at the point of our pulses, and I swear I can feel it. That thrum. We are moving to the music and at the same time we are at a stillness. I am not losing myself in the barrage. I am finding her. And she is - yes, she is finding me. The crowd is pressing in on us and the bass line is revealing everything and we are two people who are part of a lot more people, and at the same time we’re our own part. There isn’t lonliness, only this intense twoliness. There’s only one way to test it, and that is to dare a movement, to push it farther and see if she wants it to go there. I find her lips and I make that kiss and she’s pulling me hair and I’ve got the fabric of her jacket bunched in a fist and it’s nothing like talking and it’s right there and we’re taking it and taking it and taking it. And my eyes are closed and then my eyes are open and I see her eyes are open and there’s a part of her that’s pulling back even as our bodies are pressing and it’s the fear, of course there’s the fear, and I just hold her close to tell her I understand.
— Nick & Norah’s Infinite Playlist by Rachel Cohn and David Levithan… I may need to read this book.
(via dangerousperson)
